电影 枯竭

枯竭

影片信息

  • 片名:枯竭
  • 状态:HD
  • 主演:张利雨/Keun-young/Oh/朴智焕/
  • 导演:金曲/
  • 年份:2008
  • 地区:韩国
  • 类型:伦理片/
  • 时长:内详
  • 上映:未知
  • 语言:韩语
  • 更新:2024-03-20 14:17
  • 简介:  MichaelHanakemeetstheBlairWitchProjectinKimGok'sExhausted,aviciouskickinthepantstoeveryoneintheaudience,allinthenameof"style."Amanmeetsamutewoman,andasanyreasonablepersonwoulddoinsuchasituation,makesherhisprostitute.Butthepimpingistheleastofourproblems.Aswegetexhaustedbythegrainyfaux-16mmcamerawork,thefilmgetsincreasinglyderanged.Theclosestthingwegettoasympatheticcharacteristhepimp,simplybecausehe'sgottoomuchself-respecttofuckamutewhore.Everyoneelseiseitheragorymess,oragorymessindisguise.Eventheprostitute,whichevenathuglikeLarsvonTrierwouldmakelikeable,comesoffasadeliriousscarywomanwhoseshrieksstrikelikeblowstothejugular.  KimGokhasseeminglyabandonedtheMarxistcritiquesofhisshortfilms,goinginsteadformindlessbrutalitywhichculminatesinanendlessbloodyfreak-showinvolving,amongotherthings,apairofscissorsgoingwherepairsofscissorsshouldnotgo.Inthemiddleofthebloodbath,wegetanextendedlongtakeofthebeatenprostitute'snear-deadface,butitdoesnotelicitsympathyorpity.Infact,imagesofthevictimonlymakeusshyawayinshock.(Indeed,theextendedsequenceledtocontinuouswalk-outsduringthePusanscreening.)Thelongtakeinvitesustostare,butitassumeswe'reassadisticasthevictimizer(andthefilm)is.Meanwhilethesound-effects(mostlyarumblingbasslinethatshakesthetheater)pulsateswithpurewickedness.WithHanake,shockcreatesreflection,whichasksthatwebecritical.Here,weonlywanttoescape.IsupposeExhaustedhassomevirtues;theshotsofdrillingmachinesandfactoriesprovideamesmerizingphallicbackdroptothepimpandprostitute'spursuits.Buteverythingelsehurtstoomuch.AtleastKimKi-dukletsusbreathe.ExhaustedmakesBadGuylooklikeLadyandtheTramp.(asiaarts.ucla.edu)
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剧情简介

  MichaelHanakemeetstheBlairWitchProjectinKimGok'sExhausted,aviciouskickinthepantstoeveryoneintheaudience,allinthenameof"style."Amanmeetsamutewoman,andasanyreasonablepersonwoulddoinsuchasituation,makesherhisprostitute.Butthepimpingistheleastofourproblems.Aswegetexhaustedbythegrainyfaux-16mmcamerawork,thefilmgetsincreasinglyderanged.Theclosestthingwegettoasympatheticcharacteristhepimp,simplybecausehe'sgottoomuchself-respecttofuckamutewhore.Everyoneelseiseitheragorymess,oragorymessindisguise.Eventheprostitute,whichevenathuglikeLarsvonTrierwouldmakelikeable,comesoffasadeliriousscarywomanwhoseshrieksstrikelikeblowstothejugular.  KimGokhasseeminglyabandonedtheMarxistcritiquesofhisshortfilms,goinginsteadformindlessbrutalitywhichculminatesinanendlessbloodyfreak-showinvolving,amongotherthings,apairofscissorsgoingwherepairsofscissorsshouldnotgo.Inthemiddleofthebloodbath,wegetanextendedlongtakeofthebeatenprostitute'snear-deadface,butitdoesnotelicitsympathyorpity.Infact,imagesofthevictimonlymakeusshyawayinshock.(Indeed,theextendedsequenceledtocontinuouswalk-outsduringthePusanscreening.)Thelongtakeinvitesustostare,butitassumeswe'reassadisticasthevictimizer(andthefilm)is.Meanwhilethesound-effects(mostlyarumblingbasslinethatshakesthetheater)pulsateswithpurewickedness.WithHanake,shockcreatesreflection,whichasksthatwebecritical.Here,weonlywanttoescape.IsupposeExhaustedhassomevirtues;theshotsofdrillingmachinesandfactoriesprovideamesmerizingphallicbackdroptothepimpandprostitute'spursuits.Buteverythingelsehurtstoomuch.AtleastKimKi-dukletsusbreathe.ExhaustedmakesBadGuylooklikeLadyandtheTramp.(asiaarts.ucla.edu)

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